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Even Stormbreaker, Thor's axe, gets a full character arc, with Thor having to pacify its insecurity with the presence of Mjolnir. However, in Love and Thunder, Waititi amps it to the extent that he uses every available character in Thor's world to pull out one gag after another at unexpected moments. Yes, such a whimsical approach is obvious when it comes to Waititi. In fact, Waititi goes so meta that at one point, he even gets Korg to ridicule the way the story is moving. Again, even here, the gloom of the situation is subdued with a humorous treatment and it works wonders. Similarly, a short flashback montage, spanning less than two minutes, is used to answer the mystery of what happened to Jane after the events of Thor: The Dark World.
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He does this through a cracker of a montage that has Korg (voiced by Waititi himself) narrating Thor’s life with ridiculous, wacky descriptions, while Enya’s ‘ Only Time’ plays in the background.
In his second outing with the character, he goes to the audacious extent of redefining even the first two Thor movies through dark humour. The avid MCU audience knows how Waititi redefined a gloomy, sulking version of Thor into the goofy character that we now know him for. Through his battle with Gorr and rekindled love for this new Thor, our hero finds a renewed meaning in life. Realising the threat Gorr poses, Thor parts ways with the Guardians and returns to New Asgard (which now looks like a mythical fishing village), only to be gobsmacked by Jane Foster (Natalie Portman), his long-lost love, who is now wielding his broken hammer Mjolnir and calling herself 'Mighty Thor'. Following the events of Avengers: Endgame, he has been serving as a celestial peace-loving saviour, along with the Guardians of the Galaxy, and his rodeo comes to an end with the arrival of a new threat: Gorr, the God Butcher (Christian Bale), an alien wielding a God-killing sword called Necrosword, who goes on a God-killing spree for avenging his daughter's death. However, this is a Taika Waititi film, which means that a giant screaming goat might pop up at random intervals to leave you in splits.Ĭhris Hemsworth's Thor, the fan-favourite goofball god, is back. Yes, we are still talking about Thor: Love and Thunder, which is a tragedy at the heart of it all. Meanwhile, a betrayed disciple grieves the loss of his daughter, and a cancer patient clings to a magical power that she knows is only killing her faster. A celestial-human tells this to a living God, hoping that it adds some profoundness to the latter’s life. Feeling something, even if it’s a devastating heartbreak or facing the worsts of nightmares, is still better than feeling the numbing nothingness.
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